Monday 20 November 2017

Object 11: King Den’s Sandal Label (Made around 3000 BC. Hippopotamus ivory, found in Abydos, Egypt)



Here is a City
A City on the banks of the Nile
Big and noisy and prosperous
Here is a City
Feel its vigour, its energy, its lure...

Who would dare rule this City?
A City febrile with ambition
A City of people rooted in the loam of a fertile soil
A City that feeds a greater state
A City that needs to defend itself from jealous neighbours
Envious tribes of foreign armies
With their swords and spears and arrows
And their longing for conquest of a land of plentiful harvests
And of a City whose very streets are paved with golden slabs of power

So how do you rule such a City?
The answer was found 5000 years later
Embedded in the mud of the great river Nile -
A label
A tiny square sliver of Hippopotamus ivory
So small
So seemingly insignificant
Carrying a message from the past
A message that we all understand so well today
A message so simple and deadly and obvious...
How do you rule a City?
‘With force’

And who would rule such a City?
Well there is his image scratched into the ivory label –
An expressive, elegant picture of violence:
A man with a club and a whip
Smiting his fallen enemy
King Den himself, Pharaoh of all Egypt
Royally bashing brains in a visceral act of subjugation

His victim, a man from Sinai
Misshapen and smaller in stature
Knows now who rules this land
As he and his brothers are obliterated from history
Because there are words too scratched into the ivory
Chilling to the marrow
Stark and malicious
A message to heed for all around
“They shall not exist”

For King Den, like a god has power over life and death
And rules by fear and might
The City people see
How he smites the Tjesem and the Luntju nomads
See how with ruthless efficiency he destroys the Setjet of the East
Taking their women for his harem
Terrified sex slaves at his beck and call
The City people see
How his enemies cower before his mighty fist
How he humiliates them and crushes them beneath his feet
Death in the desert, blood in the sand
The City people see this and bow low before their King
For this is how you rule a City

A tyrant once trod the streets of an ancient City
In sandals made of the finest leather
Footwear labelled perhaps for the afterlife
Laid carefully by his side in his elaborate tomb
Crafted from granite mined hundreds of miles away

And should his soul awake in Heaven
Will his retainers and servants be there too
Ready to obey his Royal commands?
For one hundred and thirty six of them were strangled after his death
And buried nearby
Eternal slaves waiting for their master’s command
Men and women of a Pharaoh’s City
Waiting for the voice of a despot to resurrect them from their ignoble graves

And there have been many Cities since
Many great Cities and many great states
And there have been wars and tyrants and Kings and rulers
And Cities have been burned and bombed
Women enslaved and raped
There has been genocide and ethnic cleansing,
And refugees and atrocities that persist in their capacity to appal...

Civilizations it seems are built by people for whom history is not a lesson
But rather – an example.




Friday 24 March 2017

Object 10: Jomon Pot (Made around 5,000 BC. Clay, found in Japan)



Coils of fibre
Twisted strips of bark and reed
Woven into bags and baskets
To gather nuts and seed
The Jomon people
Hunt animals and fish
But meals can be a struggle
Without a bowl or dish

Soggy baskets
Animal skins that leak and spill
Charred meat burning
From the Jomon’s latest kill
Bitter acorns and shellfish that should be boiled
Someone is sick and has a fever
Another meal is spoiled

Food is stored in baskets
Buried underground
Where mice and rats and vermin
Are likely to be found
Food is in the hedgerows
In the forest and in the sea
But how to cook it, keep it fresh
No one yet can see

Cup your hands
And scoop up water from the lake
Thirsty instinct
Tells our hands the shape we have to make
Cup your hands and scoop up clay
From the earth beneath your feet
Curious fingers press and probe
And make the thing complete
It hardens by the fire
Its shape is clear to see
A hollow like your hands would make
To lift up water from a lake:
A cup, a bowl, a pot that anyone can make...

Coils of clay
Rolled and folded
Layer upon layer
Melded and moulded
The thing is growing
Ring by ring
A pot for the Jomon
A practical thing
Its sides are straight
Its base is flat
But the pot is pressed with cord and plait -
A basket in clay
An added touch, a decorative flair
An artistic idea plucked from the air?
Motifs of animal bones
Shells and trees
Natural things that seem to please
Are printed in relief 
In browns and greys
So that everyday items
May brighten their days

But the pots were not only stylishly good looking
They were made for storing food and cooking
Leak-proof and heat-proof
Here was something new
Now meat could be boiled and pot-roasted -
The world’s very first stew!
The hunter-gatherer people
In a Japanese village by the sea
Now found life far more stable
As a varied diet and safer food
Was shared at the family table

And human history is written in clay:
Ming bowls from China
Pot-bellied African jars
Greek vases with heroes fighting
Islamic urns spangled with stars
Wedgewood tureens in cream and pale blue
Delicate Japanese porcelain in every colour and hue...

Its sides are straight
Its base is flat
The pot is pressed with cord and plait -
But now it has an added touch
Something new, something bold
The grey, brown pot is lined with gold -
Transformed for a ritual worthy of its age
Respect is paid to this ceramic sage
A ritual object, an essential key
A mizusashi water jar for the ceremony of tea

And Jesus at that long, long table
Passed a bowl around to his disciples there,
And way back down the long, long ages
Cups and bowls and jars declare
How something so very ordinary
Is a precious thing we share
As we eat and drink together
Like the Jomon people
Seven thousand years ago
Who left their pots behind to let us know
How by such simple things
Civilizations grow.